No matter where I am or a fan is in life, there are always challenges and tough times. A bit of the content has changed because we’ve gotten older and have families and kids now. I’ve always written the same way, taking negative situations that I or people I know have been through and turning them into song ideas and lyrics. All is good on that front, for sure.ĭo you feel like your lyrical content has changed since leaving TDG? At this point, there are no hard feelings. After years of reflection, I think that there are things that both the band and myself could’ve done differently. That being said, in hindsight, it’s 2020. The way it went down could’ve been handled a bit differently, I think. There were a lot of valid reasons why I left. I don’t have any regrets about my decision to leave the group. Do you have any regrets from that period? Your departure from Three Days Grace was such big news when it occurred. It’s still great when writing helps me get through things, but it’s another world when it helps someone else. It’s always something you think about when a song is released on the radio, wondering what the reaction will be. Whether anyone in this business wants to admit it, it’s a huge industry, and a lot of people write songs that they think others want to hear. To be honest, yeah, I do feel a bit of that pressure, but not so much that it affects my songwriting process or lyrical content. Do you feel personal pressure to make songs that save people? Your music has always addressed the hardships and difficulties of life in such a relatable way. We had the chance to catch up with the chill, blue-eyed rock frontman on Zoom, where we discussed making music after departing Three Days Grace, creative freedom, and Saint Asonia’s new music. With a new album, a new music video for the hit single ‘Ghost’ in which he collaborated with fans to bring a message of hope, and new material in the works, there’s a lot on the plate for the rock star.
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He worked alongside Apocalyptica on their 2007 album for the hit single ‘I Don’t Care’, and featured on Art Of Dying’s ‘Raining’, and Daughtry’s Leave This Town B-side track ‘Back Again’, plus others through providing musical arrangement, songwriting, and vocals.Īs the frontman of rock supergroup Saint Asonia (with Staind guitarist Mike Mushok, bass player and backing vocalist Cale Gontier, and Art of Dying drummer Cody Watkins), Gontier has managed to bring his raw vocals and mastery of penning powerful to the band’s 2015 self-titled debut album and 2019 follow-up Flawed Design. (Saint Asonia’s 2015 single ‘A Better Place’, off their debut album, gives insight into feelings behind the split.) However, Gontier managed to remain a mainstay in the alternative subculture through the aftermath by collaborating with numerous bands. A new singer, Matt Walst (formerly of My Darkest Days), took his place and the band moved on. Subsequent albums, 2009’s Life Starts Now and 2013’s Transit of Venus, continued with Gontier’s themes fighting through personal demons with a hint of positivity, a departure from the angry sound the band had become known for.Īfter a decade of generating hits with the band, Gontier departed in early 2013, an announcement that came with surprise and a bit of drama.
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Gontier’s passionate vocal style, naturally husky sound, and lyricism chock full of the angst and torment that spoke to universal suffering made him a unique singer and someone that many teenagers and others living through hardships found relatable. Hits such as ‘Animal I Have Become’, ‘Just Like You’, and ‘I Hate Everything About You’ reverberated through the airwaves of every radio station.Īfter being platinum-certified in both the US and Canada off their 2003 self-titled debut album, the band’s 2006 follow-up One-X catapulted them to rock stardom. In 2009, Adam Gontier’s voice and presence as the frontman of alternative rock band Three Days Grace was everywhere.